POLITICAL ITEMS ON THE GROUND OF THE TRIVIAL. Singing politics of Croatian transition
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Abstract
The trivialization of the political discourse makes the contemporary Croatia an awkward sample for revisiting the state of nationalism and antagonism as the symptom of its post-Yugoslav condition. In their frozen and perplexed shape, many of the items "formerly known" as crucial for the nationaloriented politics, are now nonchalantly left to the pop-cultural elaboration. With the two intriguing examples of Croatian pop-ideology we are showing the paradoxes of the cultural critique coping with the mimicrycal nature of its traditional object. The question of "over" or "under-interpretation" of its quasipolitical content, thus spreads into the entirety of social understanding of transitional cultures, which are swapping the ideological for the procedural reason of their political normality.
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Prica, Ines. 2016. “POLITICAL ITEMS ON THE GROUND OF THE TRIVIAL. Singing Politics of Croatian Transition”. EthnoAnthropoZoom/ЕтноАнтропоЗум, no. 6 (November), 71-95. https://doi.org/10.37620/EAZ0960071p.
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Era”. In Nationalism, Culture, and Religion in Croatia since 1990. (Pavlaković,
Vjeran, ed.). The Donald W. Treadgold Papers in Russian, East European and
Central Asian Studies, No. 32.
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University Press.
Daskalovski, Židas. 2000. "Five flavours of brain". Central Europe Review,
vol2, no 5, 7.2.2000. www.ce-riew.org
Dukić, Davor; Senjković, Reana. 2005. "Virtual Homeland? Reading the Music
of a Particular web page". International Journal of Cultural Studies. vol 8(1): 45-
63.
Đurković, Miša. 2003. "Pop-politika i pop-ideologija. O (zlo)upotrebi masovne
kulture i umetnosti u ideološke svrhe". Republika, br. 266-267. 1-31.
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text". International Journal of Cultural Studie. vo. 4(2): 173-199.
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Hrvatski tjednik. 7.11.2003